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CFP: Media & Culture

August 14, 2016

ARABIC MEDIA& CULTURECALL FOR PAPERS

Arab Media & Society, the biannual journal of the Kamal Adham Center for Television and Digital Journalism in the School of Global Affairs and Public Policy at the American University in Cairo is seeking submissions for our next issue on “Media and Culture”. Broadly, topics may relate to any area of culture including but not limited to art, music, literature, film, television, comics, and popular culture. Possible subtopics and themes may include:

  • Censorship and creative resistance
  • Social media and popular culture
  • Depiction, perception, and cross cultural influence
  • Fashion
  • Children and youth media and Arab culture
  • New trends in music and dance
  • Arab cinema
  • The economics of art
  • The politics of art
  • Art and nationalism
  • Cultural manifestations of social inequality
  • Art in exile and the creative diaspora
  • Regional conflict and its impact on the arts
  • Culture and violence
  • Private/public sponsorship and agenda setting
  • Cultural phenomena and the social impact of art
  • Underground arts in the Arab world
  • Cultural evolution and new media

Submissions for peer-review consideration should be received by October 25, 2016. All other submissions should be received by November 15, 2016.
We also welcome research and narrative writing; analysis and reviews of reports, policy, laws, and regulations; conference reports; and book and film reviews. Contributions can address any aspect of the intersection between media, politics, society and culture, and relate to the Arab world or its diaspora. While we encourage shorter pieces, submissions may be up to 10 000 words, including footnotes, and should conform to The Chicago Manual of Style.
Send articles and ideas to Sarah El-Shaarawi, Managing Editor, ateditor@arabmediasociety.com

Urban Space, Virtual Space, and the Media In Egypt

November 2, 2015

Tahrir Virtual SpaceWhat is “the geography of urban uprising during the so-called Arab Spring” and, particularly, what is the relationship between its physical and virtual locations?

That’s the question two scholars of urban planning at Berkeley seek to answer in a paper published In the most recent edition of the journal Urban Studies.

The spatial metaphor apart, this is an interesting article in that it attempts to examine, and analyze,  the relationships between the social media that organize gatherings and communicate political messages, the practices of protest in urban space and the magnifying power of global and national media. the authors argue that the dynamic relations between these three institutions–social media, urban protests and national media–transforms what happens in (to?) all three.

Read more…

“Revolutionary Egypt” Book Launch

October 22, 2015

london_middle_eastIf you are going to be in London next month–Nov. 17, to be precise–you might want to drop in on a panel at the London Middle East Institute entitled “Revolutionary Egypt: Four Years On.”

It’s a book launch for the book Revolutionary Egypt: Connecting Domestic and International Struggles (Routledge, 2015), in which I have a chapter.

I won’t be there, but you’ll hardly miss me because many more brilliant people will be there, including:

  • Reem Abou-El-Fadl (SOAS)
  • Charles Tripp (SOAS)
  • Miriyam Aouragh (Westminster)
  • Adam Hanieh (SOAS)
  • Nicola Pratt (Warwick)
  • Kerem Oktem (Graz)

The event will be held in the Khalili Lecture Theater in the Russell Square College Buildings of the University of London’s School of Oriental and African Studies (SOAS). It begins at 5:30 and ends at 7:00 PM.

When We Assess Democracy In Egypt, Whose “Democracy” Are We Measuring?

September 15, 2015

“Bread, freedom, social justice!” What’s your definition of democracy?

Yesterday, after a lecture on ethnographic fieldwork, a student came up to me to discuss the anthropological concepts of ethnocentrism and relativism, which were first raised in an on-line lecture on the anthropological perspective, and then again yesterday in my discussion of methodology.

“What does an anthropologist do,” the student asked, “when you encounter a society that doesn’t recognize its own problems. For example, what if a society is oppressed, but doesn’t recognize that they are oppressed?”

I wondered if he was speaking of the United States, but it turned out he was thinking of–you guessed it–the Middle East.

If you ask people in the Middle East if they want democracy, they will say yes, he asserted. But if you ask them specific questions about each of the defining principles of democracy, they don’t actually want them.

“For example, if you ask them if they want gender equality, they’ll tell you no,” he said.

“What if instead of asking them whether they want gender equality, you were to ask them what they mean by democracy?” I asked.(And yes, I recognize the problem of his ready characterization of a monolithic “they” but…one thing at a time.)

“It seems to me that any definition of democracy must have gender equality as a fundamental component,” he replied

“Of course it seems that way to you,” I said. “You get to define democracy, and then you get to determine who fits your definition. That is exactly what the lecture refers to as ethnocentrism.”

Read more…

Constructing and Consuming Gender through Media: Call for Papers

September 14, 2015

ConstructingConstructing and Consuming Gender through Media

Call for Papers

CyberOrient: Online Journal of the Virtual Middle East

Editor-in-Chief: Daniel Martin Varisco

Guest Editor: Mona Abdel-Fadil

Submission deadline: 10 January 2016 (Full Papers)

Aim

A multitude of media formats are produced primarily for entertainment. Yet, much of such popular cultural production promotes particular worldviews, gender dynamics, political stances, consumerism patterns, and lifestyles. As Lila Abu-Lughod’s iconic study, Dramas of Nationhood, on Egyptian TV-Serials demonstrates, media producers may at times have strong ideological messages, which they wish to convey to their audiences through their media output. However, audience responses may not always match the intentions and anticipations of the authors. The worldviews and subjectivities of the individual media users, and the modes in which the engage with the medium, are equally important to analyze, in order to understand the complex responses of media audiences.

In this special issue of CyberOrient, we aim to bring together scholarly work on a range of Middle Eastern and Muslim cultural media products. The goal is to examine how gender roles are constructed, transmitted, and negotiated, and at times put forward as part of lifestyle or ideological choices. Simultaneously, we are interested in how such products are received, imagined, and consumed in the every day lives of audiences. This special issue focuses both on media and cultural production in the Middle East as well as products intended for consumption by Muslim and Middle Eastern diaspora. Examples of media products include TV-series, films, talk shows, music, games, comics, webpages, YouTube videos, blogs and vlogs. Guiding questions for the contributions include:

  • To what extent are cultural media products embedded with an ideological agenda or a blueprint for
    ‘ideal’ gender relations?
  • How do audiences respond to media products’ prescriptions on gender and/or lifestyle?
  • In what ways does consumer culture play into the media products?

Read more…

What’s The Hadith On Facebook?

September 9, 2015

No FacebookJust after dawn has broken, the musical voice of the muezzin fills the silence, calling the faithful to prayer:

“al-salaatu khayrun min al-nawm.” (prayer is better than sleep)

Except (perhaps) in the Nile Delta governorate of Beheira, where the muezzin of a mosque is accused of substituting “al-facebook” for al-nawm.

And why not? With 16 million accounts, Egypt is one of the top 20 countries for Facebook use–and number one in the Middle East.

The usual phrase, part of the dawn adhan only, is aimed at encouraging believers to get up and pray. Did the muezzin engage in a little wordplay, aimed at getting people off their early morning Facebook habit?

The Egyptian state religious authority suspended the muezzin in late August, not because the statement isn’t true, but because one is not allowed to introduce variations into the call to prayer.

If the story is true, it may be part of a broader pattern through which people find playful ways to negotiate tensions between conflicting social and cultural expectations where pre-existing religious and new social practices coexist.

Read more…

Theorizing Media And Conflict

August 26, 2015

Theorising Media and Conflict

The Media Anthropology Network of the European Association of Social Anthropologists (EASA) has issued a call for proposals for the a workshop on conflict and media. The goal is to bring together in Vienna next Fall a group of anthropologists and fellow travelers who are interested in developing sophisticated ways of theorizing media and conflict.

Obviously, the so-called “Facebook revolutions” and “Twitter revolutions” of the Middle East and North Africa should be represented here.

But if you want to participate you’ll have to hurry; the deadline is Sept. 20th–less than a month away!

Call for Abstracts:

Theorising Media and Conflict workshop

Media Anthropology Network

European Association of Social Anthropologists (EASA)

Department of Social and Cultural Anthropology, University of Vienna, Austria

23-24 October 2015

In a recent survey of the interdisciplinary literature on media and conflict, Schoemaker and Stremlau (2014) found that most existing studies display Western-centric biases, normative assumptions and unsubstantiated claims about the impact of media in conflict situations. With their ethnographic methods and ground-up theorising, anthropologists are therefore well placed to make a strong contribution to the advancement of this area of scholarship. Although a growing number of anthropologists have studied media in conflict and post-conflict contexts – working on diverse topics such as media representations, cyberwar, internet activism, social protest, video-making, or radio dramas – so far they have done so in relative isolation from one another. The result is a fragmentation of the field and a dissipation of efforts.

Read more…

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